Glitter (2001) and Thoughts on What Can Help a Musical Succeed
Glitter . This movie has torn at me for days now, since I watched it. You’ll be reading this long after I write it, so I’ve probably gotten over it by now. Who knows, though? Glitter is, perhaps, one of the worst movies I’ve ever had the displeasure to watch, and I’ve seen a lot of movies that people consider bad, terrible, or unwatchable. So I’ve had my fair share of movies that you would think I would despise. But this one hit a note (no musical pun intended) that hurts oh so badly. I’m not going to spend this whole time griping and complaining about Glitter , however. I want to use Glitter as an extreme example of why some musicals fall flat when brought to the big screen, or when written as a movie. Now, I don’t have all of the evidence to back up any of the claims that I will be making throughout this post, so if you disagree with anything that I write, that’s okay. This is just my opinion. It will differ from yours, especially if you are a diehard