Oversight Marathon: Chicago (2002)
I’ve come to the end of the Oversight Marathon and it is the last hour and a half of September, for me, as I type this. This is the Chicago write-up. Let’s get right to the one thing I want to talk about when it comes to Chicago. I want to write about the way the movie is framed. Not widescreen or fullscreen. I mean the setup of the movie and how the musical part of the movie exists in the world of the movie. The interesting thing that Chicago did, which I haven’t seen in many musicals was that the musical portion was separate from the core story of the movie. The numbers did relate to what was happening within the story at the time when they were performed, but they were in another universe. Usually the universe could be attributed to Roxy’s mind. The exceptions being the first and last number which were performances in the actual world of the main characters, and Mr. Cellophane, which I’m not sure how it could be in Roxy...