Reimagined Shakespeare Marathon Movie 8: A Double Life (1947)
There are different ways that someone can adapt a book or
play to the big screen. The most
interesting of the methods is to have the movie be about someone adapting the
source while also being involved in a story that goes along with the source. Two of the adaptations of this sort that come
to mind for me are Adaptation, which takes it a step further, and The Red
Shoes. The Reimagined Shakespeare
Marathon has helped to add another film to that list.
A Double Life is a 1947 film based on Othello. Guy 1 is starring in a stage adaptation of
Othello. He gets so deeply into his
character that his life begins to take the shape of the play. That’s it.
That was honestly the easiest plot to describe out of the entire
marathon without spoiling any of the dramatic beats.
The first half of the movie is kind of weak. I don’t think it holds up too well 65 years
later. It has nothing to do with the
direction or the acting in the movie.
The first half feels a little bit long and of the time in which it was
made. There isn’t too much movement of
the plot which may hurt the movie. I
couldn’t get interested in the first half and it made for a struggle as I tried
to watch the movie.
Once I got into the second half of A Double Life, things
picked up. The acting from the lead
actor, Ronald Colman, is especially good as the movie gets going. It all leads to a final ten minutes which is
some of the best payoff in the entire marathon thus far, both emotionally and
plot wise. A Double Life still feels a
little bit stale throughout its entire run but the final act is a great piece
of filmmaking.
There’s something about a person devolving into insanity
that always gets me when I’m watching a movie.
That is where the second half of A Double Life got me invested. The actor becomes too involved in his character,
so much that he can no longer separate his character’s life from his own. This is similar to an idea that was presented
in Black Swan, though it doesn’t have as much of an emotional punch. That could have been due to the code that was
in place in Hollywood at the time. That
does not matter though as the final scene created enough emotional tension in
order to leave the viewer satisfied in their viewing experience.
I don’t have too much more to say about A Double Life. It was an okay movie. The first half definitely holds it back, and
it isn’t a timeless movie. But the lead
actor is superb and deserves recognition for his performance, which he got when
he won the Academy Award for Best Actor.
Was that the shortest writeup of the Reimagined Shakespeare
Marathon? I think it was. I don’t have too much to say about the
movie. Hopefully the next one, I’ll have
more. The next movie is A Midsummer
Night’s Rave from 2002. When I picked it
as part of the marathon, I picked it solely on name alone. It may have been a bad choice. We’ll see.
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