Overlooked Movie Marathon 2: City of God (2002)
It’s the last day of the month. We’re in the last three hours as I begin
writing this. I’ve just finished the
last movie of my September marathon an hour or so ago. This has been a long month of watching good
movies. But before it is over, I have to
end this marathon by writing about the last movie in the second annual
Overlooked Movie Marathon. It’s a
foreign film called City of God.
City of God is a 2002 Brazilian film directed by Fernando
Meirelles and Katia Lund. It is a story
about crime in Rio de Janeiro as told through the eyes of Rocket (played by
Alexandre Rodrigues), a budding photographer.
The tale is about the rise of Li’l Ze (Leandro Firmino), a drug kingpin
who, along with his friend Benny (Phellipe Haagensen), ends up in a turf war
against Carrot (Matheus Nachtergaele) and Knockout Ned (Seu Jorge). There are many other characters that come in
and out of the movie as it goes along.
There is a really interesting use of structure within City
of God that kept me captivated through the entire movie. The way that the movie is linear while also
jumping back and forth through time intrigued me. The story would always move forward, but
every once in a while, it would jump back to a thread that tied directly into
what was currently happening. These
jumps always helped push the story forward and it was always moving in a
forward direction. It was a way of
storytelling that I haven’t seen too often in films. It felt sort of like reading a novel, except
it was much more visual, as opposed to mental.
I quite enjoyed that way of letting the story unfold.
I also enjoyed the performances throughout the movie. This has been something I’ve repeated again
and again throughout the marathon. City
of God is no different than what came before it in the Overlooked Movie
Marathon. There were fantastic
performances all around. What surprised
me most about the quality of acting throughout the movie was that I didn’t know
any of the actors outside of Alice Braga.
A lot of them seemed like they could have been amateur actors, and with
a little bit of research it seems that many of the actors were people from
areas like those depicted in the film.
It’s astonishing that they got such good performances out of all of the
actors and actresses. From the adults to
the children, everyone held their own on screen. Notably, Leandro Firmino and Phellipe
Haagensen bring a confidence and charisma to their respective roles that seem impossible
to replicate. Leandro Firmino
personified the insanity of Li’l Ze, while Phellippe Haagensen exudes the
warmth and cool of Benny. The two seem
like the most irreplaceable actors in a film filled with actors who feel perfect
for their roles.
One thing that I noticed in City of God that I never would
have expected was the amount of American music.
Now, I’m not saying that countries around the world wouldn’t have access
to music from other places (North Korea obviously excluded from this), but when
I’m watching a foreign language film set in a country which doesn’t have
English as its national language, I tend to not expect English language
music. City of God has a few recognizable
songs. The two that stood out the most
to me, mostly because of their timing in the film, were Get Up (I Feel Like
Being a) Sex Machine by James Brown and Kung Fu Fighting by Carl Douglas. Although this film is Brazilian and about
Brazilians and Brazilian life, it’s still easy to see the influence that
American society can have upon other countries.
That wasn’t a theme of the movie in any way whatsoever, but the music can
help to show it. The United States of America
has been a big part of the world since its creation. It has influenced politics, technology, and
as evidenced through City of God, movies and music.
Watching City of God was an eye-opening experience. It was a great way to put a lid on the second
annual Overlooked Movie Marathon. I
saved one of the best for last. It’s been
a great month filled with great movies.
Thanks to everyone who suggested these movies. I forget who you were because I never wrote
down who suggested what. But
thanks. They were good movies.
I’m not going to do any awards this time around for three
reasons. The first reason is that it
takes time to actually think through the awards, and choose what will be the
best. The second reason is that when all
the movies are good, it makes it really tough to single out the best in the
movies. I want to single everything out,
and I can’t. The final reason is that I
just don’t want to do the awards.
Thanks for reading the posts this month. I’ve enjoyed the movies. I hope you enjoyed what I wrote about
them. See you all around for my other
posts. If you want another marathon, I
think I’ll do one in November.
Overlooked indeed! Great movie, and it's just so heartbreaking that it hasn't fully got the type of attention it's been so deserving of for the past decade. Good review.
ReplyDeleteIf only the vast majority of American audiences didn't hate reading movies.
Delete